Tartakovsky has mastered his craft, emphasizing texture and style over a clean image. Nothing blends into each other it all stacks into a mountain of iconic symbols and vivid memories. The show contrasts this antagonism with vibrant colors, blending venomous greens with cartoonish volumes of bloodied reds.Įven the sound design feels like it’s calling from the stone age with low horns and deep drums. The physicality of their characters is visible in their silhouette, each shape and angle built to feel cold-blooded. The very outlines of Spear and Fang can puncture flesh. In a TV market booming with 3D animation, Tartakovsky’s drawings add texture through rough brush strokes and sharp character designs. The mind behind “Dexter’s Lab,” “Samurai Jack,” “Hotel Transylvania” and my personal favorite, “Sym-Bionic Titan,” this guy knows how to craft dynamic stories with great action and unforgettable art styles.

This show wouldn’t exist without the legendary Genndy Tartakovsky, who was probably a staple of your childhood entertainment. It puts our modern place in the food chain into question by examining our very understanding of evolution. They are destined to be alone, agents of eras long buried, and the only way to not be swept away in the avalanche of time is to cling to each other. It’s only after the fights end that they realize the world is moving on without them. Throughout the show, cultures are turned to rubble, and entire species are reduced to ash, yet episode by episode, Spear and Fang escape the hurricane intact. Evolution is not kind to the lone survivor the harder they fight it, the more they will be left behind. No matter how much of his life disappears, the only way to keep it alive is for him to keep moving. Why he decides to keep fighting is never about overcoming doubt, it’s out of necessity. Spear cannot express the deep emotions he experiences. In the aftermath of losing both their families, a caveman, Spear and T-rex, Fang, team up to survive and overcome their mourning.Without dialogue, and without characters able to understand each other, the nature of the human individual is fully dissected at its most vulnerable state. Now that the show’s second and final season has ended, I think it works best looking at the series in its entirety. Sprayed across this show’s violent tapestry is a hunt for meaning. But this is more than just a show about a caveman and a T-rex fighting duo. Through blood and prehistoric rage, the silence of a show without dialogue is drowned under the terrifying screams of beasts fighting their very extinction. Genndy Tartakovsky’s “Primal” is a masterpiece like no other.

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